Episode: Ashita no Joe 2 - 28 - To Hawaii... Where Jose Is 4n225d
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Dezaki Osamu
Info 707271
- Info
- Titles
| Main Title | To Hawaii... Where Jose Is (e17247) |
|---|---|
| Official Title | x-jat |
| Official Title | ja |
| Official Title | frverified |
As the OPBF Champion, Joe’s first title defense match has been confirmed in Hawaii. Not wanting to go all the way to Hawaii, Joe is reluctant about the fight, but quickly changes his mind when he learns Jose is also having a bout in Hawaii.
Source: crunchyroll
Source: crunchyroll
Airing Schedule 702k4z
songs 4u6uw
| Relation | Song | in Episodes | Rating | Credit | Staff | Comment |
|---|---|---|---|---|---|---|
| opening | Midnight Blues | 26-47, OP2 | N/A (3) | Vocals/Performed by (歌手) | Araki Ichirou | |
| Lyrics (作詞) | Araki Ichirou | |||||
| Music Composition (作曲) | Araki Ichirou | |||||
| Music Arrangement (編曲) | Chito Kawachi | |||||
| ending | Hateshinaki Yami no Kanata ni | 26-47, ED2 | N/A (1) | Vocals/Performed by (歌手) | Araki Ichirou | |
| Lyrics (作詞) | Araki Ichirou | |||||
| Music Composition (作曲) | Araki Ichirou | |||||
| Music Arrangement (編曲) | Chito Kawachi |
- Staff
- assign existing Cast
- add Cast
- collapse pane
staff 53291r
| Credit | Name | in Episodes | Comment |
|---|---|---|---|
| Script/Screenplay (脚本) | Shinozaki Yoshimi | 1-2, 5-6, 9-10, 13-14, 16-17, 22-23, 28-29, 32-34, 37-39, 43-44 | |
| Storyboard (絵コンテ) | Saki Makura | 1-35, 37, 39-40, 42-47 | |
| Episode Direction (ディレクター) | Takeuchi Yoshio | 1-35, 37, 39-40, 42-47 | |
| Ooga Shunji | 1-4, 6, 8, 10, 12-47 | ||
| Episode Direction (演出) | Dezaki Osamu | 1-47 | |
| Animation Direction (作画監督) | Sugino Akio | 1-47 | |
| Key Animation (原画) | Kobayashi Yoshiteru | 3, 6, 10, 14, 18, 20, 22, 24, 26, 28, 30, 32, 36-47 | |
| Fudaki Ikuo | 3, 7, 11, 15, 17, 19, 22, 25, 28, 30, 33, 35, 39-47 | ||
| Kodama Kenji | 7, 11, 15-16, 18, 20, 22, 24, 26, 28, 30, 32, 34, 36-43 | ||
| Jinguu Satoshi | 10, 14, 16, 18, 20, 22, 24, 26, 28, 32-33, 35, 37-38, 41 | ||
| Ootsuka Shinji | 21, 24, 26, 28, 30, 32, 35-36, 39-47 | ||
| Hirayama Satoshi | 26, 28, 30-31, 34-35, 39-47 | ||
| In-Between Animation (動画) | Kannan Masaaki | 4, 10, 12, 16, 20, 24, 28, 34 | |
| Seino Yoshio | 4, 10, 12, 16, 20, 24, 28, 34 | ||
| 露木進 | 4, 10, 12, 16, 20, 24, 28, 34 | ||
| Awai Shigeki | 20, 24, 28, 34 | ||
| 長谷川稔 | 20, 24, 28, 34 | ||
| Yoshikawa Fumiyo | 24, 28, 34 | ||
| Colour Specification (色指定) | Itou Junko | 1-47 | |
| Finishing/Clean-up (仕上げ) | 木村文一 | 2, 4, 6, 8, 10, 12, 14-16, 18, 20, 22, 24, 26, 28, 30, 32, 34, 36, 38 | |
| Group Joy | 2, 4, 6, 8, 10, 12, 14-16, 18, 20, 22, 24, 26, 28, 30, 32, 34, 36, 38, 40, 42, 44, 46 | ||
| Kishi Yoshiko | 26, 28, 30, 32, 34, 36, 38 | ||
| 佐藤敦子 | 26, 28, 30, 32, 34, 36, 38 | ||
| 小杉宏幸 | 26, 28, 30, 32, 34, 36, 38 | ||
| Special Effects (特殊効果) | Hashizume Tomoji | 1-47 | |
| Technical Advisor (テクニカルアドバイザー) | 高山将孝 | 1-47 | Former World Lightweight Boxing 4th Place (元世界ライト級4位) |
| Photography (撮影) | Miyauchi Masao | 25-47 | |
| Takahashi Production | 25-47 | ||
| Hirayama Akio | 25-26, 28, 30, 32, 34, 36, 38, 40, 42-44, 46 | ||
| Oota Katsumi | 25-26, 28, 30, 32, 34, 36, 38, 40, 42-44, 46 | ||
| Azuhata Takashi | 26, 28, 30, 32, 34, 36, 38, 40, 42-44, 46 | ||
| Kobayashi Takeo | 26, 28, 30, 32, 34, 36, 38, 40, 42-44, 46 | ||
| Title (タイトル) | Takagu Hideo | 1-47 | |
| Film Processing (現像) | Toei Kagaku Kougyou | 1-47 | |
| Recording (録音) | Touhoku Shinsha | 1-47 | |
| Recording Engineer (録音技術) | Iizuka Hideyasu | 1-47 | |
| Art and Literature (文芸担当) | Iioka Jun`ichi | 1-47 | |
| Production Desk (デスク) | Iwase Yasuteru | 1-47 | |
| Assistant Production Manager (制作進行) | Ozaki Yasumichi | 3, 7, 11, 16, 20, 24, 28, 30, 32, 36, 39 | |
| Production Manager (制作担当) | Aono Shirou | 1-47 | |
| Assistance/Cooperation (協力) | Studio Annapuru | 14-47 |
